Suchergebnis auf icepawuk.com für: go game. Go (chinesisch 圍棋 / 围棋, Pinyin wéiqí, Jyutping wai4kei4*2; japanisch 囲碁 igo; koreanisch hat ein von Erik van der Werf von der „Computer Games Group“ der Universität Maastricht geschriebenes Computer-Programm namens. Mit dem Go Real Game wird eine spannende Story um die Protagonisten Leyla und Nick in ein Mitmach-Game verpackt. Mehr Infos hier.
Übersetzung für "game go" im DeutschÜbersetzung im Kontext von „game go“ in Englisch-Deutsch von Reverso Context: The name Atari is a term (当たり) from the board game Go. According to chess master Emanuel Lasker: "The rules of Go are so elegant, organic, and Go is an ancient Chinese/Japanese board game. Spiele den Spielebrettklassiker Go auf deinem Androidgerät! Spiele entweder im Einzelspielermodus gegen einen Computer oder trete online im.
Game Go Navigation menu VideoGo Review - A video 4,000 years in the making Privacy Statement. A similar comparison has been drawn among Go, chess and backgammonperhaps the three oldest games that enjoy worldwide popularity. Another technique to Bob Der RГ¤uber 2 stones is the so-called net also known by its Japanese name, geta.
The black groups at the bottom are dead as they only have one eye. The point marked a is a false eye. When a group of stones is mostly surrounded and has no options to connect with friendly stones elsewhere, the status of the group is either alive, dead or unsettled.
A group of stones is said to be alive if it cannot be captured, even if the opponent is allowed to move first.
Conversely, a group of stones is said to be dead if it cannot avoid capture, even if the owner of the group is allowed the first move. Otherwise, the group is said to be unsettled: the defending player can make it alive or the opponent can kill it, depending on who gets to play first.
An eye is an empty point or group of points surrounded by one player's stones. If the eye is surrounded by Black stones, White cannot play there unless such a play would take Black's last liberty and capture the Black stones.
Such a move is forbidden according to the suicide rule in most rule sets, but even if not forbidden, such a move would be a useless suicide of a White stone.
If a Black group has two eyes, White can never capture it because White cannot remove both liberties simultaneously. If Black has only one eye, White can capture the Black group by playing in the single eye, removing Black's last liberty.
Such a move is not suicide because the Black stones are removed first. In the "Examples of eyes" diagram, all the circled points are eyes. The two black groups in the upper corners are alive, as both have at least two eyes.
The groups in the lower corners are dead, as both have only one eye. The group in the lower left may seem to have two eyes, but the surrounded empty point marked a is not actually an eye.
White can play there and take a black stone. Such a point is often called a false eye. There is an exception to the requirement that a group must have two eyes to be alive, a situation called seki or mutual life.
Where different colored groups are adjacent and share liberties, the situation may reach a position when neither player wants to move first, because doing so would allow the opponent to capture; in such situations therefore both players' stones remain on the board in seki.
Neither player receives any points for those groups, but at least those groups themselves remain living, as opposed to being captured.
In the "Example of seki mutual life " diagram, the circled points are liberties shared by both a black and a white group.
Neither player wants to play on a circled point, because doing so would allow the opponent to capture. All the other groups in this example, both black and white, are alive with at least two eyes.
Seki can result from an attempt by one player to invade and kill a nearly settled group of the other player.
In Go, tactics deal with immediate fighting between stones, capturing and saving stones, life, death and other issues localized to a specific part of the board.
Larger issues, not limited to only part of the board, are referred to as strategy , and are covered in their own section. There are several tactical constructs aimed at capturing stones.
Recognizing the possibility that stones can be captured using these techniques is an important step forward. A ladder. Black cannot escape unless the ladder connects to black stones further down the board that will intercept with the ladder.
The most basic technique is the ladder. Unless the pattern runs into friendly stones along the way, the stones in the ladder cannot avoid capture.
Experienced players recognize the futility of continuing the pattern and play elsewhere. The presence of a ladder on the board does give a player the option to play a stone in the path of the ladder, thereby threatening to rescue their stones, forcing a response.
Such a move is called a ladder breaker and may be a powerful strategic move. In the diagram, Black has the option of playing a ladder breaker.
Another technique to capture stones is the so-called net ,  also known by its Japanese name, geta. This refers to a move that loosely surrounds some stones, preventing their escape in all directions.
An example is given in the adjacent diagram. It is generally better to capture stones in a net than in a ladder, because a net does not depend on the condition that there are no opposing stones in the way, nor does it allow the opponent to play a strategic ladder breaker.
A snapback. Although Black can capture the white stone by playing at the circled point, the resulting shape for Black has only one liberty at 1 , thus White can then capture the three black stones by playing at 1 again snapback.
A third technique to capture stones is the snapback. An example can be seen on the right. As with the ladder, an experienced player does not play out such a sequence, recognizing the futility of capturing only to be captured back immediately.
One of the most important skills required for strong tactical play is the ability to read ahead. Some of the strongest players of the game can read up to 40 moves ahead even in complicated positions.
As explained in the scoring rules, some stone formations can never be captured and are said to be alive, while other stones may be in the position where they cannot avoid being captured and are said to be dead.
Much of the practice material available to players of the game comes in the form of life and death problems, also known as tsumego.
Tsumego are considered an excellent way to train a player's ability at reading ahead,  and are available for all skill levels, some posing a challenge even to top players.
In situations when the Ko rule applies, a ko fight may occur. If the opponent does respond to the ko threat, the situation on the board has changed, and the prohibition on capturing the ko no longer applies.
Thus the player who made the ko threat may now recapture the ko. Their opponent is then in the same situation and can either play a ko threat as well, or concede the ko by simply playing elsewhere.
If a player concedes the ko, either because they do not think it important or because there are no moves left that could function as a ko threat, they have lost the ko, and their opponent may connect the ko.
Instead of responding to a ko threat, a player may also choose to ignore the threat and connect the ko. The choice of when to respond to a threat and when to ignore it is a subtle one, which requires a player to consider many factors, including how much is gained by connecting, how much is lost by not responding, how many possible ko threats both players have remaining, what the optimal order of playing them is, and what the size —points lost or gained—of each of the remaining threats is.
Frequently, the winner of the ko fight does not connect the ko but instead captures one of the chains that constituted their opponent's side of the ko.
Strategy deals with global influence, interaction between distant stones, keeping the whole board in mind during local fights, and other issues that involve the overall game.
It is therefore possible to allow a tactical loss when it confers a strategic advantage. Novices often start by randomly placing stones on the board, as if it were a game of chance.
An understanding of how stones connect for greater power develops, and then a few basic common opening sequences may be understood.
Learning the ways of life and death helps in a fundamental way to develop one's strategic understanding of weak groups. The strategy involved can become very abstract and complex.
High-level players spend years improving their understanding of strategy, and a novice may play many hundreds of games against opponents before being able to win regularly.
In the opening of the game, players usually play and gain territory in the corners of the board first, as the presence of two edges makes it easier for them to surround territory and establish their stones.
Players tend to play on or near the star point during the opening. Playing nearer to the edge does not produce enough territory to be efficient, and playing further from the edge does not safely secure the territory.
In the opening, players often play established sequences called joseki , which are locally balanced exchanges;  however, the joseki chosen should also produce a satisfactory result on a global scale.
It is generally advisable to keep a balance between territory and influence. Which of these gets precedence is often a matter of individual taste.
The middle phase of the game is the most combative, and usually lasts for more than moves. During the middlegame, the players invade each other's territories, and attack formations that lack the necessary two eyes for viability.
Such groups may be saved or sacrificed for something more significant on the board. However, matters may be more complex yet, with major trade-offs, apparently dead groups reviving, and skillful play to attack in such a way as to construct territories rather than kill.
The end of the middlegame and transition to the endgame is marked by a few features. Near the end of a game, play becomes divided into localized fights that do not affect each other,  with the exception of ko fights, where before the central area of the board related to all parts of it.
No large weak groups are still in serious danger. Moves can reasonably be attributed some definite value, such as 20 points or fewer, rather than simply being necessary to compete.
Both players set limited objectives in their plans, in making or destroying territory, capturing or saving stones. These changing aspects of the game usually occur at much the same time, for strong players.
In brief, the middlegame switches into the endgame when the concepts of strategy and influence need reassessment in terms of concrete final results on the board.
In China, Go was considered one of the four cultivated arts of the Chinese scholar gentleman , along with calligraphy , painting and playing the musical instrument guqin  In ancient times the rules of go were passed on verbally, rather than being written down.
Go was introduced to Korea sometime between the 5th and 7th centuries CE, and was popular among the higher classes. Sunjang baduk became the main variant played in Korea until the end of the 19th century, when the current version was reintroduced from Japan.
It became popular at the Japanese imperial court in the 8th century,  and among the general public by the 13th century. In , Tokugawa Ieyasu re-established Japan's unified national government.
Despite its widespread popularity in East Asia, Go has been slow to spread to the rest of the world. Although there are some mentions of the game in western literature from the 16th century forward, Go did not start to become popular in the West until the end of the 19th century, when German scientist Oskar Korschelt wrote a treatise on the ancient Han Chinese game.
In , Edward Lasker learned the game while in Berlin. The total of stones corresponds to the number of intersections on the standard 19x19 go board.
The stones are usually kept in wooden bowls next to the board. How Go Is Played At the beginning of the game, the board is empty.
One player takes the black stones, the other player the white ones. Thereafter, they alternate making their moves. A move is made by placing a stone on an interesection.
A player can play on any unoccupied intersection he wants to. A stone does not move after being played, unless it is captured and taken off the board.
Diagram 2 shows the beginning of a game. Black plays the first move in the upper right corner. White plays 2 in the lower right corner. Black plays 3 and White plays 4.
This is a typical opening where each player has staked out a position in the two of the four corners. Next Black approaches White 2 with 5 and White pincers 5 with 6.
Black escapes into the center with 7 and White stakes out a position in the bottom right with 8. Next Black pincers the white stone at 6 with 9.
At the end of the game, the player who controls the more territory wins the game. We are going to show you how territory is formed in a game on a 9x9 board.
Although go is usually played on a 19x19 board, it can also be played on a 9x9 board, or any size board from 5x5 up.
Explaining the rules on a 9x9 board is convenient because the game is over quickly and the beginner can immediately grasp the flow of the game and how the score is counted.
We also recommend that you play your first games on a 9x9 board and, when you have mastered the rules, start playing on the 19x19 board.
An Example Game Figure 1, Black makes his first move on the point, after which White makes his move.
Thereafter, both sides continue to alternate in making their moves. Recent Reviews:. All Reviews:. Valve , Hidden Path Entertainment.
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Publisher: Valve. Share Embed. Read Critic Reviews. Shop Merchandise Now. Free to Play. Michael Redmond, the only Western player to have won status as a top-grade professional player in Asia, when asked why he had devoted his life to go, replied, "Because I love the game.
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